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Thanks to the Hand Work Quilters (2 of 4)

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I can't emphasize enough how important human connection is to the experience of attending QuiltCon. Whether you are standing in line for an event, hanging out at your own quilt, or lingering in front of a quilt you really like, it is so easy to strike up a conversation. People are joyful to be there and pleased to be with other quilters. There is an instant connection because you already know you have quilting in common.  After all, it is a celebration of quilts. Running into a ribbon winner, it is natural to lift them up for their accomplishment. This year when I came across Heidi Parkes in front of her prize winning quilt, I put aside my usual reticence to congratulate her. As we spoke, I was reminded of my first encounter with her work.  Back in 2021, I was doing a lot of hand appliqu é  and hand quilting, but I hadn’t been in the modern guild very long. Sometimes it felt like I was fumbling along, trying to figure out what made modern quilts different. That spring Hei...
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Highlights from QuiltCon 2026 (1 of 4)

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They were expecting the Modern Quilt Guild in North Carolina. This greeted us at the Raleigh airport!  What a great way to build excitement!! And here's the view from our hotel room Thursday morning.  Way before the doors opened to the show, quilters were lined up for early classes. First views of the convention center floor.  The left side showcased the quilt show, the right side the vendors. Coming down the escalator, we were able to spot my quilt, Midnight & Noon in the front circle.  At the award ceremony Wednesday evening I learned it had been given the Best Hand Quilting award, sponsored by Wonderfil Specialty Threads. It was such a joy to see people get close to my quilt to really take in the textures and the stitch work. I had so many wonderful conversations with people who were curious and engaged. Having this kind of interaction between creator and audience is a special experience at a large show. That it happens pretty regularly at QuiltCon is unique t...
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Starting the year with a recommendation

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  How Painting Happens (and why it matters) by Martin Gayford This was a Christmas gift from my thoughtful kids and I've just finished it!  A good indication that something has resonated with me is the amount of times I mark what I want to remember. Photos taken at a show or museum, notes from a meeting, and, in this case, lots of post-it tabs throughout the book; all a good sign that the experience has left an impression. For me this was an entertaining and informative read that is as much about creativity as it is the specific medium of painting.  Martin Gayford 's presentation makes the information accessible to the reader and easily applicable to one's own method of self expression. He doesn't rely on traditionally dense art jargon from the past. In each chapter, he breaks down the components of composition and execution with examples that address things like texture through brush strokes or effective use of color. Consideration of these elements is valuable to any ...
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Last Quilt of 2025

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Beauty in Mishap Usually, I try to finish up projects to start the new year with a fresh slate, but I have several things in the works right now. I find myself in the position of working against a self-imposed deadline! (That can be a joy drain for sure.) And while these "works in progress" (WIPs) get juggled with end of the year activities and holiday celebrations, one of the things put on the back burner is keeping up-to-date with social media. So, I'm putting a pause on all this activity, as the clock ticks off the last hours of 2025, to present my final finish of 2025: Beauty in Mishap . This continues my improvisation with random scraps to create what I hope are interesting compositions. Lately, I'm really enjoying the theme of "contrast." Juxtaposing thin lines and large shapes, or open spaces with more populated areas of random forms and connecting lines, opens up opportunities to enhance the surface with quilting that reinforces the design.   The bo...
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Flashback Friday and Season's Greetings

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  Lord's Snowfall, 2018 Season's Greetings!!! I'm indulging in a flashback Friday for a visual to accompany my very best wishes for happy, healthy holidays to one and all.  It's always productive to look back at your work, to appreciate what you've done and acknowledge how far you've come. It brings perspective. Lord's snowfall was finished in 2018, appliqu é d by hand and hand quilted. It was one of the first times I "went off script" without a pattern and it took over 2 years to execute. Not only has my work evolved significantly in the last 7 years, but I've gotten much faster at handwork. It kinda boggles my mind. This was an improv quilt; there was no plan starting out. Each snow crystal is unique. They were cut out and centered on varying sized blocks using a variation of the Hawaiian appliqu é  technique. As the blocks began to accumulate, conscious choices were made so the background would be a gradual transformation from blue to white ...
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Shock on Q=A=Q Opening Night (3 of 3)

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Q=A=Q 2025 at Schweinfurth Art Center, Albany NY We arrived a bit later than planned for the opening night of the Q=A=Q exhibit at the Schweinfurth Art Center on October 25. It was a rainy evening; the cloak room was filled. People were milling about taking in the show, reconnecting with friends, enjoying refreshments.  Opening Night 10-25-2025 This is always a special event, showcasing a wide range of unique voices from the quilting world in a wonderful setting. The staff at SAC handle the art work with great care and professionalism. The staging is thoughtfully and tastefully presented. This year's j urors,  Petra Fallaux and Paula Kovarik , chose 70 art quilts from pieces submitted by 330 artists who could submitted no more than two pieces for consideration. Curating a show is a major feat and their choices spotlight quilts from across the country as well as Australia, Canada, Germany, Norway, and  South Korea.   When you enter the space, you are aware ...
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Artist's Statement: Midnight & Noon (2 of 3)

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Midnight & Noon- sides "A" & "B" The two sides of this quilt could stand separately, but I think they are stronger together. The navy background top, (side "A"), was finished first. Since it has a vertical, portrait, orientation, I deliberately approached the composition of the second top with a different vision. For side "B," I chose to do the reverse, making the shapes dark with a light background and a horizontal orientation. When the two sides were complete they evoked very different feelings.  The forms on side "A" take on a sculptural quality. This side brings to mind walking down the street on a cool night and seeing a streetlight up ahead which spotlights an object. Within that cone of light the form is illuminated but the environment around it falls away into the darkness. We instinctively know that there's more there than we can see.  In contrast, side "B" looks more like a landscape with structures. Its ...
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