"In these times there is a powerful demarcation between the surface and the deep currents of human development. Events and upheavals, which seem more profound than they really are, are happening on the surface. But there is another and deeper change in progress. It is a long, steady persistent growth, very little affected and not at all disturbed by surface conditions. The artist of today should be alive to this deeper evolution on which all growth depends, has depended and will depend." Robert Henri, The Art Spirit ( originally published 1923 ) This year I'm adopting the "Dry January" theme and applying it to my use of technology. How much unproductive time I've been wasting with it! Only a few days in, but I've put aside iPad games and am staying up to date on news through headlines or occasional articles rather than gathering information that will be out of date in the next 24 hour news cycle. (Perhaps that's why this quote seemed to strike a c...
Balance of Light & Dark In this composition the image area has been roughly divided in half vertically. The dark contours on the right have been repeated in the light color and reoriented on the left, creating a tension between light and dark shapes. The quilting for this piece, continues my experimentation with textures to enhance the project’s design. Gentle arches and a subtle, directional flow in the background quilting provides some motion across the surface. For a contrast, the traditional treatment of echo quilting the shapes gives them a more solid, steady feeling, even as they are stacked and precariously rest on thin lines. So, we have a balance between light and dark, solid shapes and graceful line, movement and stability. Here is a detail of the quilting from the opposite side: Seeing the seed and running stitches in multiple colors against the solid fabric from the backside gives food for thought on possibilities for future projects. Stay tuned to see mor...
Moment of Transformation Ah, the things you can make with leftovers! The starting point for this piece was the remaining cut away scraps from my last, much larger quilt: Embers . It was done with a combination of appliqué and reverse appliqué. First the fabric scraps were laid out on the burgundy length of fabric: Appliqué stage After these contours were needle turned under and appliquéd in place, the piece was put on top of a second length of a lighter color. This lighter color would become the background: The beginnings of reverse appliqué I have taken to using a thin crepe tape to experiment and think through the placement of lines I want to highlight, as can be seen in the lower left area of this photo. This has been so helpful as the tape can be moved around until the right shapes are found without damage to the fabric. Needless to say, now I have scraps in both the burgundy and "creamsickle" (reads more like peach to me.) But they must be put aside for now. I've ...
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